Ezhu Sundara Rathrikal may have been an attempt to look at the fickleness of relationships in today's times in a humourous way but it does not have the desired effect.
Fahaad Fasil tries too hard to prove a point with his acting.
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The film makes an effort to add sparkle to the so-called 'new gen' formula, but ends up being a damp squib.
Mammootty plays a legal advisor and gives a decent performance in the film.
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We have seen a few Malayalam films tackle the subject of anti-abortion, but Weeping Boy handles it very poorly
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Director Jimson Joy tries to combine an old-style narrative with so-called 'new gen' cinema in Bicycle Thieves, but fails to get it right.
Escape from Uganda is a film that tries to thrill but fails to do so.
Punyalan Agarbatthis is a well executed film with Jayasurya along with the rest of the cast giving a likable performance.
The film fails to live up to Shobhana's standards.
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The film doesn't overly sentimental or manipulative and keeps the audience in good humour.
Malayalam film Nadodimannan doesn't work, according to Paresh C Palicha.
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The film does not touch the high standards achieved by director Aashiq Abu in the past.
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Pattam Pole is unconventionally bold with the way it deals with the issue of live-in relationship.
Jayraj's Camel Safari fails to connect with the youth at whom it was aimed to.
The Malyalam film is complicated in parts and oversimplifies matters in others, but is worth seeing
North 24 Kaatham is a sure winner for Fahadh Faasil.
Director Shyamaprasad's Artist is one of his best works till date.
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